A new season of festival favourites, critical standouts, and world-shaping stories is coming to Rialto Film. We can’t say everything yet. But we can promise this: these films won’t leave you the same.
There are nights when the world collapses into the size of a phone screen – shrinking under the weight of headlines, repetition, and the dull hum of stories we’ve heard a hundred times.
And then a film from elsewhere arrives. A sentence in an unfamiliar language. A gesture you’ve never learned. A face lit by a sky you’ve never stood beneath.
Suddenly, the world widens – fast, defiant, electric.
This is the power of world cinema. It doesn’t entertain. It awakens.
The Films That Snap Us Back Into Ourselves
In an age deafened by noise and certainty, world cinema restores something we’re in danger of losing: perspective. It reminds us that truth is not a single story, but a chorus – often quiet, often strange, often startlingly human.
Some films do this with a whisper; others with a blade.
Blue Is the Warmest Colour strips love to the nerve.
The Great Beauty drifts through decadence with aching elegance.
Shoplifters rewrites family.
Parasite exposes the architecture of inequality.
The Girl with the Dragon Tattoo trilogy shows how justice changes its face across borders.
These films don’t mirror us. They challenge us. They rearrange us.
Blue Is The Warmest Colour
The Great Beauty
Shoplifters
Parasite
The Girl with the Dragon Tattoo
“World cinema widens the soul in ways the familiar never could.”
Rialto Film’s Season: Six Stories That Refuse to Let Go
Curated not for volume, but for resonance, these titles lead the season:
Lo Capitano
A raw, relentless odyssey carved from courage and the hunger for a future.
Clara Sola
A mystical awakening; a woman’s spirit sparking back to life.
January
Winter as memory. Winter as mirror. Quiet. Precise. Beautiful.
I Am Love
Silk, sunlight, desire – a sensual, operatic unraveling.
The Man in the Hat
A gentle European wander reminding us that kindness can still surprise us.
The Perfect Nanny
Intimacy trembling on its axis; domestic calm with a pulse beneath it.
Each film is a doorway. Each one a lantern. Each one a reminder that cinema is bigger – and braver – when it comes from beyond our borders.
Lo Capitano
Clara Sola
January
I Am Love movie
The Man in the Hat
The Perfect Nanny
Why World Cinema Matters Now
Because familiarity breeds numbness. Because the algorithm repeats itself. Because the world is larger, stranger, harsher, softer, and more magnificent than the stories we’re fed daily.
And because in a fractured world, the rarest gift is understanding.
Rialto Film is not just curating a season. It’s curating a worldview.
Press Play. Let the World Rush In.
If we let it, world cinema can still change us – directing our gaze outward, inward, and everywhere in between.
Discover the world in every frame – only on Rialto Film.